Practici muzicale ale armatei și curții domnești reflectate în opera lui Dimitrie Cantemir (GHILAȘ 2013)

Victor Ghilaș, Practici muzicale ale armatei și curții domnești reflectate în opera lui Dimitrie Cantemir, „Studia Securitas”, Ed. Univ. „L. Blaga”, Sibiu, 2/2013, p. 189-198

 

Abstract

The purpose of this study is to investigate less researched problems in the musicological literature. Army and royal court music was a fundamental part of Dimitrie Cantermir’s works. As part of the Ottoman army, it has a rich history, becoming an important element ever since the period of apogee of the classic medieval Muslim civilization.

With the increase of the Ottoman political and economic influence in the second half of the XVIth century, Oriental music quickly begins to play an important role in the culture of the Romanian principalities. Judging by the information provided in Dimitrie Cantemir’s Descriptio Moldaviae, one can conclude that the urban environment (primarily the royal court and the noblemans’ salons) was the main place of expression of Muslim art. This expansion occurs mainly via “musica turcica” (as Cantemir calls it), meaning the military music called tabulhanea or mehterhanea. According to Cantemir’s observations, the military music could be heard at various events: army trainings, lords’ inaugurations, official events, large ceremonies, councils, receptions of ambassadors, etc. Cantemir’s works are therefore an important source of documentation indicating the importance of the military music in the social, political, and cultural lives in the Ottoman Empire and in the Romanian principalities.

 

Keywords

Dimitrie Cantemir, Army Music, Mehterhanea, Tabulhanea,

 

Institutional affiliation of the authors: Academy of Science of Moldova, Chișinău